The Renegade Message of Antiques Roadshow
Superficially, Antiques Roadshow is an hour-long report on a traveling fair where locals ask specialists how much money their possessions are worth. Peppered in among familiar objects of uncertain valuebooks, furniture, toysviewers also see the clearly precious: Chinese-rhinoceros-horn cups, an 18th-century dollhouse, a one-of-a-kind Patek Philippe pocket watch, a long-lost old-master painting. In each segment, the appraiser asks what the guest knows about their item and then tells them and the audience about its history and, ultimately, its estimated value. Stack enough of those segments together, maybe toss in a few educational asides, and youve filled an hour of programming.
Thats likely nobodys idea of a winning structure for hit television. But the American edition has been airing for nearly 25 yearsand it remains the most watched of any ongoing PBS series. And more than 40 years after the original U.K. program debuted, it still regularly breaks the top 10 most-viewed shows of the week in the U.K. Its a monster, Andy McConnell, a glass specialist who appears as an appraiser on the U.K. show, told me. Its got magic dust on it, it really has.
Fans of the show might not be surprised by its lasting appeal. Thats in part because the show combines the simple ingredients of comfort-food television: approachability, warmth, and abundance. Beyond that, though, its popularity might stem from the paradox at its core: This show about putting a price tag on coveted possessions is not actually about money. Its not about getting rich, playing the market, amassing wealth, or even acquiring nice things. In a show whose segments are punctuated by dollar amounts, theres actually a quiet, persistent suggestion to direct our aspirations somewhere else: history, family, sentiment, even love.
https://www.theatlantic.com/culture/archive/2021/08/antiques-roadshow-renegade-message/619890/