Chris Hedges in Boston: Pity the Children
http://www.commondreams.org/view/2014/07/01
An Afghan child looks toward the site of a suicide bombing that occurred near a NATO convoy in Kabul, Afghanistan's capital, last February.
Pity the Children
by Chris Hedges
Published on Tuesday, July 1, 2014 by TruthDig.com
For the United States, the wars in Iraq and Afghanistan will be over soon. We will leave behind, after our defeats, wreckage and death, the contagion of violence and hatred, unending grief, and millions of children who were brutalized and robbed of their childhood. Americans who did not suffer will forget. People maimed physically or psychologically by the violence, especially the Iraqi and Afghan children, will never escape. Time and memory will play their usual tricks. Those who endured war will begin to wonder, years from now, what was real and what was not. And those who did not taste of wars noxious poison will stop wondering at all.
I sat last Thursday afternoon in a small conference room at the University of Massachusetts Boston with three U.S. combat veteranstwo from the war in Iraq, one from the war in Vietnamalong with a Somali who grew up amid the vicious fighting in Mogadishu. All are poets or novelists. They were there to attend a two-week writers workshop sponsored by the William Joiner Institute for the Study of War and Social Consequences. It is their voices and those of their comrades that have to be heeded now, and heeded in the future, if we are to curb our appetite for empire and lust for industrial violence. The truth about war comes out, but always too late. And by the time the drums begin beating, the flags waving and the politicians and press hyperventilating as they shout out their nationalist cant, once again we have forgotten what we learned, as if the debacles of the past had no bearing on the debacles of the future.
Joshua Morgan Folmar, 29, a bearded Marine Corps veteran from Alabama who participated in 200 combat patrols in Iraq, sat next to me. He handed me his poem Contemplating the Cotard Delusion on the Downeaster to Boston. It begins:
Maybe Im a walking corpse, or maybe Im in a coma in
Germany, or Walter Reed, sucking MREs
through plastic tubes, while a few children in Haditha pick up bone
shards from the explosion and trade them like card games for chocolate.